“Expat” – New Work by Angie Reed Garner Speaks Truth to East/West Disconnect

06/23/09  Print This Post Print This Post    6 Comments   Popular   Written by Kate Sedgwick
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It takes quite a creative, knowledgeable mind to crack the codes in this painting, but once you know it, you can’t un-know it again.

Economic disparity, the western affinity for our animals, capitalistic commodification of the human being, comfort vs. exploitation, privilege, world politics.

Roses are Red by Angie Reed Garner, 2009, Oil on Canvas, 20×64″, all rights reserved

Do you see it?

Roses are Red by Angie Reed Garner, 2009, Oil on Canvas, 20×64″, all rights reserved

Before I tell you what Angie Reed Garner has to say about this painting I will admit to simply appreciating the work on first glance for the extraordinary textures and colors typical of her work.

I will admit to recognizing the dog, to zooming in on the text of classified ads and thinking, Labor Camps? I imagined the translucent figure with the sunflowers sprouting from him was a dead man – a ghost or an impression. I didn’t make the intended connections, but it still got me thinking.

Look a little closer.

Roses are Red, detail, by Angie Reed Garner, 2009, Oil on Canvas, 20×64″, all rights reserved

Roses are Red, detail, by Angie Reed Garner, 2009, Oil on Canvas, 20×64″, all rights reserved

Roses are Red, detail, by Angie Reed Garner, 2009, Oil on Canvas, 20×64″, all rights reserved

Garner is a painter from the United States. Earlier works fed from mythology. Each piece tells a story – sometimes a very complex one like this that reads like a modern hieroglyph. Symbol heavy, the artist creates her own visual language with ties to historically understood meanings. Her work would be a never-ending feast for a semiotician.

I give my dog a better life than many are able to earn for themselves and their families no matter how hard they work, and they work insanely hard in conditions that would drop me. 50C heat kills.

Currently living in the UAE after a year in Lahore, Pakistan, exposure to blatant economic disparity among other culture shocks have made work like this possible for the self taught painter.

Here is what the artist has to say about this painting:

‘Roses are Red’ is about living alongside and participating in the extreme income disparity in Pakistan and here in the UAE. The same disparity exists in the United States as well, but it is much harder to see.

I give my dog a better life than many are able to earn for themselves and their families no matter how hard they work, and they work insanely hard in conditions that would drop me. 50C heat kills.

Roses are Red, detail, by Angie Reed Garner, 2009, Oil on Canvas, 20×64″, all rights reserved

“Expat” is a series of paintings Garner has painted since arriving in the UAE last summer. Also included in the show is a panel of ten canvases about her experience in Lahore.

Below, you’ll find a sample of some of her most recent work from the UAE.

Women by Angie Reed Garner, 2009, Oil on Canvas, 20×64″, all rights reserved

House of Pi by Angie Reed Garner, 2009, Oil on Canvas, 20×64″, all rights reserved

Cracked by Angie Reed Garner, 2009, Oil on Canvas, 20×64″, all rights reserved

The show opens July first and runs until August 15th in Evansville, Indiana at J.E. Smith Gallery.

Visit the artist’s website at angiereedgarner.com and check out her blog at LiveJournal where she shares much of her process and logic.


About the Author

Kate Sedgwick

Kate Sedgwick co-edits Matador Nights from Buenos Aires where she teaches English, learns Spanish and thoroughly enjoys herself. Her art and writing have appeared in print and on-line publications and her novel in progress will be received with prurient glee by critics of American culture if it ever gets into their grubby little hands. Find out more about her than you ever wanted to know here. (Author photo by Sebastian Santana).

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